SUPPORT YOUR ARTIST FRIENDS: IT MATTERS

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Having supportive friends can make a big difference to your life. Getting support for your creative endeavours from people you know can give you confidence and inspire your work.  There is nothing more uplifting than seeing friends in an audience at one of your performances, at an exhibition or other similar events where you have work displayed. It is also important to support creative friends and to celebrate their accomplishments. 

Recently the ukulele group that Ellie and I help run performed at a local community festival. We had a lot of fun entertaining the crowd and it was great to see the smiling faces of family and friends who came out to support us in the audience. It boosted our performance. After the event I realised the several of the friends that we had invited had not turned up, even though they had said they would attend and had not sent any apologies.

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I was disappointed because in the past these friends have been quite insistent that we inform them when our ukulele group has scheduled a performance so they could come. For many years we have been playing our instruments at their parties, but when our uke group actually performs, not many show up. It was a free concert and in the same area where some of them lived so it would not have taken a big effort to be there, but I guess you can’t make people attend.

Who would want to be the sort of person that can’t be bothered to be a supportive friend? It is important to help out your friends even when you are busy. Don’t just nod and say something is great. Follow through and go to their events and exhibitions.

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If you really like a friend’s artwork and have the funds, buy one and display it in your home. If you can’t afford an original artwork buy a print or a card of their work.  An author would really appreciate you buying a copy of their book to read. Or if music is their medium, buy a CD or a download. The least you can do is spread the word that their work is available for purchase.

Take some photos or video the event and give your friend copies. When an artist is performing or talking to people at an exhibition opening, often it is family and friends who can record the occasion. After all the hours of preparation for something that is over in a short time, it is priceless to have a record. 

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If you cannot attend send an apology and congratulate them for their achievement. It is also thoughtful to send them a bottle of wine to celebrate or a card of congratulations. Show you care.

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And if you never get the support for your art from some people, don’t invite these repeat offenders to your creative events. They do not define you or your work. Positive energy generates more so save your efforts for those who do give you support and don’t take them for granted. Make sure you thank your family and friends for coming and that they know any help they may have given has been greatly appreciated.  

Anything that you can do to support your creative friends is valuable and is the most basic thing you can do for both the arts and friendship. Be the type of friend you want to have. It matters.

Kat

(all images from pixabay.com, unsplash.com or pxhere.com)

One of the ultimate songs about friendship is The Beatles With a Little help from My Friends. Here is a version from 2009 with Paul and Ringo performing the song live.

Health Scares and Creativity

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I haven’t posted in quite a while. Earlier in the year I was really busy rehearsing for a ukulele festival and put other creative activities on the back burner. I stupidly let myself get run down at the beginning  of the flu season, became seriously ill with a respiratory infection and ended up in hospital. Luckily, thanks to the wonderful care and attention of the medical and nursing staff, some powerful medication and a long period of rest, I made a full recovery. This whole episode was a bit of a wake-up call. You never know what is around the corner, so it is important to make the most of life and your creativity while you can. Do not to neglect your artwork, whatever that may be.

Because my energy had been depleted I needed to refresh my creativity and felt that I should try something new. Rather than getting bogged down trying to get a big idea or tackling a large work on canvas, I decided to work on a smaller scale and do works on paper. It would give me the opportunity to revisit coloured pencils, pen, ink and gouache, as well as to learn watercolour properly, something that was never taught when I went to art school. I bought some new paints and materials to supplement those I already had and have been experimenting with mixed media together with watercolour. Change is good for the soul.

Youtube has been a wonderful resource for watercolour lessons and information on paints and other materials. There are so many generous artists who share their knowledge and are entertaining in the process. Wish these had been available when I was at art school.

One thing that really shocked me was the price of water colour paints and materials in Australia, especially water colour paper which needs to be 100% cotton and makes a big difference when learning techniques. I tried to limit the costs by getting one set of paints on Amazon and found some good deals on water colour paper on Fishpond, as well as sourcing some water colour pads made from Italian paper by the local Australian company, Art Spectrum. I only needed to buy a few new brushes as I already had many for gouache. Those few I bought were also made by an Australian company.  Local is always cheaper than imported, especially if you buy from one of your country’s online retailers.

I saved money by using plastic well palettes that I already had for washes and improvised with a porcelain soap dish and some white ceramic tiles left over from our renovations, which are great for mixing smaller quantities of paint or coloured inks and are easy to clean. The larger tile can be used for working on a small sheet of wet watercolour paper. Always keep ceramic tiles or other useful containers for mixing paints.

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I also had some ancient Windsor and Newton pan and tube watercolours from a relative. The tubes had dried up and I cut these open and put the paint in an old theatrical makeup palette so I could use them with the old pans, which I blue tacked into the same container. These are still workable, although not as nice as the new paints. Never discard old watercolours as they can be reconstituted.

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Another thing that I found helpful in revitalising my creativity was reorganising the studio. (For a comparison you can see how it looked in early 2017 by clicking here). It is a good idea to find out what you have so that you don’t waste money on things you don’t really need. I moved the things that I use more often to accessible locations in cupboards and shelves. Those that are not used much were placed on higher shelves or in stacked, vintage suitcases. In one accessible suitcase, under a table, I put all my A3 art paper and pads. a much cheaper alternative to buying a large drawer unit.

The old dollhouse now holds pan paints and inks, coloured pencils and markers, as well as some craft items. Biscuit tins are great storage containers for drawing materials.

I moved my acrylic, oil paint and other brushes from the table onto the white wicker trolley. Making more space on my table surfaces means I have plenty of room for my materials when I am working on something. The tall Ikea trestle table can be used for cutting paper or fabric and is a place for Ellie to work on her projects.

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I still have room for some fun inspirational objects. It is great to be a bit silly and playful in your work space.

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As I’m still finding my feet with watercolours, I don’t want to show any of my early attempts. It is more important to have some fun and enjoy the process without any pressure.

A health scare makes you take stock of your life, especially when you have been lucky and dodged a bullet. Enjoy life and revel in your creativity.

Kat.

In the spirit of the coming Halloween celebration here’s a fun video from one of my favourite 80s Aussie bands, Mental as Anything.

In Praise of Pigs

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The pig is an animal that has been used as a symbol by many cultures, as well as inspiring writers and artists. (See entries on Wikipedia for a good survey of the cultural and religious associations and the pig in popular culture). Sometimes it is used to depict human failings; at others it represents wisdom and good fortune. Pigs also can be just plain entertaining. Now we have entered the Chinese Year of the Pig I thought I would share my small collection and some random thoughts on the subject.

Undomesticated pigs can be fierce and dangerous beasts. Since ancient times representations of wild boar have displayed this ferocity with great imagination. Take for example this illustration from our dilapidated copy Oliver Goldsmith’s A History of the Earth and Animated Nature, Vol. I 1868. The various species of wild pigs from different regions of the world are put together to create a scene that could only exist on paper or in your nightmares.

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I’m sure that the British illustrator Paul Hogarth was channeling this wildness in his cover illustration for the 1960s edition of George Orwell’s Animal Farm. That is one threatening pig.

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In contrast illustrations of domestic pigs seem much more benign although they can still display a lot of character. In our 1883 copy of the Universal Self Instructoris an entry on how to keep hogs with an accompanying picture. The artist gives you the impression that these two hogs would have been stubborn personalities with minds of their own. They look immovable.

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The pig form may be bulky bit it can lend itself to delicate and small artifacts. For example I have a tiny glass pig that I bought in a shop in the US, as well as a tiny pig pin, something that will be fun to wear this year.

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Pigs can be wonderfully amusing creatures and have inspired cartoonists like Walt Disney in his 1933 animation of The Three Little Pigsand the Loony Tunes character of Porky Pig. Here are a couple of comical pigs. The pink one is a vintage bath salts holder and the other was found at an op shop.

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There are many charming images of pigs in children’s books. In our 1901 edition of Country Favourites there are some delightful illustrations of pigs for the story Pat and the pigs by Winifred Fenn. The story is about a very naughty boy who steals cherries and releases the pigs in his charge to eat the flowers in an old ladies garden. Of course, like all moralizing tales of this era he eventually sees the error his ways and apologizes. The likeable and good-natured looking pigs seem oblivious to the fact they are involved in dirty deeds.

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A piggy bank is the quintessential money box with so many creative variations. Countless generations have saved their change in one. When my sister and I were children our grandmother would give us the contents of her vintage hand painted, ceramic piggy bank. Unfortunately this lovely bank was accidentally given to charity.

I was always horrified by the thought of smashing a beautiful piggy bank to get at the contents when there was no bottom opening. I would rather use a knife to loosen the change while holding it upside down. I still have a reproduction of a depression era glass piggy bank and it is easy to shake out the contents. Many financial companies give away piggy banks as promotional gifts and that is the origin of the jovial plastic purple one below.

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Because the pig is one of the animals in the Chinese Zodiac it is popular in Asian countries as a symbol of luck, wisdom and good fortune. A Japanese friend gave me a wooden lucky charm from her local temple, painted with the image of Ebisu (one of the seven gods of happiness) riding a white pig, which I treasure. The gorgeous Korean brass pig was found at a local op shop.

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Pigs are great animals to doodle and I did this drawing a long time ago just for the fun of it.

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Pig objects make an interesting collection and have all kinds of different meanings around the world.  Although sometimes symbolising wild nature, pigs are also revered as intelligent and benevolent animals and can inspire us in our creative endeavours.

Happy Year of the Pig!

Kat

Because it is just so delightful and amusing, here is Walt Disney’s animation of The Three Little Pigs.

Creative Festive Decorations

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There are so many options for being creative and making your own sustainable and recycled decorations. Using what you can find around your home and garden, as well as previous years’ decorations, stimulates the imagination while saving money and the environment.

This year I decided to do my own take on the popular ladder tree because we had a vintage ladder that an unknown tradesman had left behind and never returned to collect. It is a wonderfully distressed white-painted ladder and all it needed was a clean with mild detergent.  I have seen some beautiful ladder Christmas trees with glass balls hanging down from the inside. Obviously the owners did not have crazy dogs, who could run underneath and smash the balls to pieces.  Because we do have such mad creatures, I wrapped white cord around the outside of the ladder to discourage our two dogs from walking through.  I could hang the decorations from this cord.

I looked through our old decorations and choose silver and white ones and to add more colour found some stars woven from synthetic ribbon left over from a craft project at our local community centre. A pile of these was put out for anyone to take so Ellie and I took a few. Stapled on crochet thread made ties to attach them to the ladder. On the steps I placed some small decorative gift boxes that I had saved, as well as a small tin bucket as a candle holder. Some fun mask earrings also make interesting ornaments. On the top of the ladder a chrome candle hanger was great for displaying a silver star.

Ladder trees are easy to create. Ours was virtually free and I could reuse many of our old ornaments and at the same time find a use for some craft items. As I have been really busy lately, it was very quick to put together and I did not need to run around and buy a lot of new decorations. Most people have a ladder of some sort. Even modern aluminum ones can be made to look great with lights and simple ornaments so they needn’t cost a fortune.

Craft items can be used in a different way to create interesting ornaments. For a table decoration I found a simple round vase and inserted a long colourful cord that I had made by pin knitting with some crochet cotton yarn. On top of the cord I rested a star decoration to create a simple and unique table centrepiece for the festive season. All it took was a bit of imagination.

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The natural world can provide quick and easy trees. Last year our main tree was created from a dead camellia. This year I wanted to keep it simple in the front room so I used three dead branches that I had stored in the roof to make a small tree for the bay window sill. These were placed in a hand-painted vase.  I decided to use mainly red and gold decorations from our collection which goes more with the summer aspect of our festive season in the southern hemisphere.

Many of the ornaments are recycled items. Some are in fact key rings like the red resin hearts, which were gifts from previous Christmas bonbons. It’s good to recycle plastic items. The small gold flowers are from a broken vintage bracelet. The ribbon around the base of the tree was from gift wrapping and the cherry cluster is a brooch. Ribbons are always good to keep for decorating your tree. Any interesting and attractive object can be used as a decoration.

Festive decorating need not be an expensive and stressful exercise. It can be fun and creative, even when you have little time. Just limit yourself to some main decorative items, recycle and use what you have in an interesting way and don’t be afraid to do something different.

Wishing everyone a wonderful festive season where ever you may be and a very happy new year.

Kat

Here’s a photo of a glorious December sunset taken from my studio window.

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Peppers, Paper and a Peculiar Sunset

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Why is it when you are all fired up to do something creative a situation arises that gets in the way? Yesterday I had planned to do some writing for this blog when our washing machine decided to overflow from the top as well as developing a leak underneath, probably from one of the hoses. Much of the day was wasted with moving the steel bench and it’s contents out of the laundry so that we could get behind the machine to see if it was fixable then trying to find a repair person.

We could not get anyone to come before next Thursday. A plumber had told us to hang onto this older machine for as long as possible because it was very sturdy and he said that with many new models, you were lucky if they lasted 5 years so we want to have it repaired if possible.

As the dirty clothes will pile up, what could we do until then? Luckily Ellie found that we could do our washing if the machine was partially filled and set to the final rinse and spin cycles. This took ages because the leaking water had to be mopped up all the time. After all the things that had been drenched by the overflowing machine had dried out, it all had to be put back into the laundry. Luckily it was a day of 35°C which was great for drying things but not wonderful for staying cool in a crisis. Sometimes life gives you hot Chile peppers like the lethal ones in our garden.

Modern technology can be trying at times but it would be much more time-consuming to do the washing by hand. There was nothing we could do to prevent this annoyance, so I had to accept the fact that it was necessary to focus on the task in hand rather than to do what of had planned. On top of this I could feel the onset of a sore throat (probably from the heat) so decided to have a relaxing evening and not to stress.

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On a more productive subject, the papermaking has been going well. We have found that mixing colourful bits of cotton fabric, which has been put through the washing machine and the blender, then mixed with the paper pulp, creates lovely decorative sheets. Below are some examples of Ellie’s work.

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If you put some pieces of thread on the surface of the paper after it has been couched onto the wet cloth, press and dry it, then iron the sheet under a damp cloth, when you peel off the thread it will leave an embossed effect.

Putting loosely shredded cotton onto the paper while it is still in the mould will create surface decoration that is pressed in when the paper is couched onto the wet cloth. Here are some of Ellie’s.

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In Australia it is now autumn and we have been having some beautiful sunsets. I photographed one of these from the studio last week and once I downloaded the photo onto the computer I noticed something that was not there when I looked out the window. There seemed to be a large UFO hovering in the sky with another one in the distance. How could this be?

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Then I realized that the lights have been on in the studio when I took the photo and were reflected in the window. It was just a trick of the light.

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Seeing is not always believing.

Kat

Here is a fun song, UFO, from Australian band Sneaky Sound System from ten years ago. It still sounds great.

Distractions and Culinary Delights

You know the feeling. You start doing something and you find yourself going off of a totally different tangent that leads into different but fascinating territory. This week I was looking for a favorite recipe (flourless chocolate cake) that my mother used to make and found myself looking at an old cookery book that has been in the family for generations. Now I’m not really a cook, Ellie being the one who inherited that creative ability, but I like to eat and am fascinated by unusual dishes of the past and this old book took me on quite a journey.

Cookery For Every Household by Florence B Jack was published in the UK in 1914 just before WWI completely changed the world. It is a reflection of the previous Victorian and Edwardian way of life, where many people still had maids and cooks to do a lot of the domestic duties. Some of the elaborate recipes are heavily influenced by French cuisine and reflect the old style of entertaining of the wealthy. Our copy at same stage lost its original cover and was rebound in red. The book has over 3,000 recipes and is quite a tome. The book is full of line drawings to illustrate the recipes and as well as basic cooking, there are some culinary dishes that seem quite strange by todays standards.

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It is also amazing that cooks could produce such complicated cuisine with gas rings, simple stoves and equipment.

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Here are some illustrations of the latest technology of the time: The electric stove.

I had to laugh at the mention of low electricity rates. Some things were better back in the early 20th century.

Ingenious contraptions were designed to make cooking easier. The Hutchings’ Patent Cooker was a tall steamer which could hold an entire meal to be cooked all at the same time. Imagine having this towering on your stove. I suppose it was the microwave or Thermomix of its day. Great for the busy housewife.

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In complete contrast, the basic meat safe was still in use for storing perishables. This hanging example was very common in Australia to stop ants and other creepy crawlies from getting at the leg of lamb for the Sunday roast.

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Improvisation was encouraged if you did not have the right equipment. If you did not have one of these for straining soup.

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You could do this.

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The book contains recipes based on ingredients that are no longer common in modern books. Take for example Fried Smelts. It made me wonder about the smell. Apparently it is a small fish, which smells like a cut cucumber and should be eaten as soon as possible. Yeah it probably smelt if left too long.

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Another unusual dish is Salsifis. These are a root vegetable similar to a parsnip and are either black or white. Taste wise these resemble asparagus. In America they are called Oyster plant because they were thought to taste similar. The drawing of the dish shows that the pureed salsifis were placed in scallop shells to look like seafood complete with lemon segment bow ties.

I noticed that many of the recipes followed a similar line. No food should look like its original form. For instance Stuffed and Baked Cod resembles a pair of eyes. I don’t think that this is any better than having a fish on your plate looking at you. Quite odd.

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Vegetables were presented so that there was no sign of any leaf. With Dressed Spinach the cooked leaves were put through a sieve, then butter and seasoning was added and the dish was decorated with triangular croutons of fried bread and segments of hardboiled egg. Anyone who had an aversion to spinach would never know that this plant was on the plate. Maybe not such a bad idea after all.

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There seem to be a lot of recipes where the food is dressed. Dressed Crab is another example. It involved the complete dissection of the crab then a mixture of the flesh and mayonnaise was put back into the shell with some claws on top to remind the diners that they were eating what was once a crab. No struggling with a naked crab.

Prawns (shrimp) got a similar treatment. In the Prawn Salad it looks like the two garnishes are dancing in a sea of prawn flesh, lettuce and sliced radishes, a reminder of their origin.

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Meat dishes also seemed to disguise the form of the original animal. The traditional Game Pie with its raised pastry case contains a variety of bird meat. The illustrated example is decorated with the feet of birds in the top hole that seems to be saying “let me out of here.” Not very appetizing.

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There seemed to be an obsession with molding things into cylinders or cones so that they became architectural structures like the following example.

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In those days cooking leftovers was a whole art form in itself. These dishes were not merely an afterthought. Here are a couple of extraordinary recipes.

Proper table linen was as elaborate as the food. There were a myriad of ways to fold napkins. Although the bishop’s Mitre seems a bit sober for a jolly night of feasting. Maybe that was the intention to avoid excess.

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To me it is the elaborately decorated desserts of this period that are incredible and make my mouth water. You may not have lived in a castle but you could eat a Castle Pudding (I think it must be a smear of pudding on the page).

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Nothing defines the period like Jellies. Great wobbly mountains of Jelly. The following recipe for Coffee Jelly could still be made today and would certainly liven up a party.

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The name of this dessert says it all. Tipsy Cake is an elaborate form of the classic Trifle. Layers of sponge cake, custard, strawberry or raspberry jam doused with a cup of sherry and decorated with cream and toasted almonds. Yum.

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For those with delusions of grandeur there is always the Princess Cake with it’s pink royal icing.

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Invalid cookery is where things take a down turn. No wonderful desserts if you were sick. It was a drab world of steamed food, soup and broth. The following advice in the book tells the sorry tale.

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Many of the more elaborate recipes found in this book are the type that nowadays would be made by chefs and are not the sort of food you would have everyday, although there are hundreds for normal meals for the ordinary housewife to feed her family.

I think that old cookery books from the past can still inspire and provide useful information for those interested in creative culinary skills. They also tell a story of the lives of our ancestors and the kind of society in which they lived. You often learn something new when you get distracted.

Kat

Truly Inspired by A Guy Called Bloke

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My blog had the privilege of being featured on fellow blogger A Guy Called Bloke‘s Truly Inspired series.

Here is the link: Truly Inspired: The Artist’s Child

Check out his wonderful poems and writings while you are there.