My blog had the privilege of being featured on fellow blogger A Guy Called Bloke‘s Truly Inspired series.
Here is the link: Truly Inspired: The Artist’s Child
Check out his wonderful poems and writings while you are there.
I noticed that there is a Lost Trades Fair in Kyneton, Victoria in March. Amongst the crafts featured is basket weaving. I had not realized that this craft was in danger of disappearing. I can remember a time when mum would order handmade wicker baskets from a craftsperson to be used for food hampers that were raffled at our school’s fetes. After doing a Google search, it seems that these traditional basket makers are no longer around in Melbourne (or very hard to find) and most available cane or willow wicker baskets seem to be imported from overseas where such materials are common and still used by craftspeople. Nowadays it appears that many Australian basket weavers are now using local materials and traditional Indigenous techniques. Hand woven baskets are useful and wonderful to collect.
Basket weaving is a skilled craft undertaken since the Neolithic period. Most cultures have some form of basket weaving tradition. These hand-woven articles are really useful for storing all kinds of materials and tools. If they are beautiful that’s even better and the colours and textures of baskets are also very inspiring.
In Australia Indigenous weavers make wonderful baskets. Sometimes these are the only items of women’s work that have survived from past centuries. Luckily this knowledge is being passed on to future generations and to non-indigenous women at local cultural centres. The materials used are more sustainable because they are found where the weavers live. Here is a video of a workshop that took place in Victoria.
Many indigenous fibre artists have made some incredible artworks using their basket weaving techniques. I wish I had an example. Their work is influencing other non-indigenous craftspeople and basket weavers who are now incorporating indigenous techniques and using local materials to create their own original designs. Here is a link to some of the magnificent basket work you can see on The Basket Weavers of Victoria website (link).
Ellie and I have a collection of traditional and decorative baskets, some bought in stores specializing in handwork from other cultures, some found in charity stores, others inherited from relatives. They are a terrific form of craftwork to collect that you can use while you are working or can be filled with all kinds of things to organize your space. We also have some interesting fibre objects that show the ingenuity of weaving with plant materials.
If we see an old wicker or willow basket in a charity shop, we snap it up and have kept those that came from family. Our collection includes a large bread basket; shopping baskets; large round baskets; a huge wood basket; a picnic basket; laundry and dog baskets and various small baskets, all of which we use. Modern storage baskets are also useful and as they are not made of plastic, better for the environment.
Baskets are usually made from plant materials that are readily available to the weaver. The following Asian baskets are made from split bamboo. The largest one with a lid is really old and come from a relative who used it for her needlework. It is an example of Chinese basketry work which I use to store craft materials. The other shallow round basket is Japanese and was found at an op shop. Also made from bamboo using a delicate, open lattice pattern. I have seen similar baskets attached to ivory figures in antique Japanese carvings. Judging by what I have seen on Google it is probably from the mid twentieth century. I use this basket for holding weaving threads so that it does not become damaged.
The small oval bamboo basket was a gift from our grandmother. A local craftsperson glued the shells to the lid and lacquered the surface. We have several of these baskets in varying sizes and they are great for storing small items. I don’t think that they were very expensive baskets and would be good for decorating in all manner of ways.
We have several African shallow baskets that are perfect for holding tapestry bobbins while you are working. These are all from Zimbabwe and we bought them at local store that sells African wares. The medium-sized basket is a binga basket made by the ba Tonga people. It has the characteristic herringbone edge. The smallest one is a tightly woven Ukhomane basket with a checkered rim. The largest basket, which is a type used to sort and clean maize and is similar in design to the Ukhomane but has a herringbone rim so seems to be a combination of the two styles. What I like about these are the abstract patterns and earthy colours and are not too dissimilar to the look a woven tapestry. They are a pleasure to use. African baskets are available online.
Another op shop find is a large old picnic style basket with folding handles from the Philippines. It is great for storage in the studio with an inner tray for smaller items. It is unusual and I could not see a similar one on Google. My guess would be that it’s from the 1960s or 70s.
A very small, lidded basket that was inherited is a bit of a mystery. It was a gift from a relative who was an intrepid female traveller in the early 20th century. It looks like it could be African but is also might be woven from pandanus palm like some of the work of Australian Aborigines, but it is hard to be sure. Apparently she was quite a character. We have a photo of this relative seated in a canoe on the Zambezi River where she visited Victoria Falls. She may have found the basket while on this trip.
Other woven items include a Zimbabwean Gudza (fertility) doll that I received as a gift and a woven cup that Ellie found at an op shop. The latter looks African and is very decorative rather than functional. We also have a lovely woven figure holding a basket. It could be woven from some kind of palm leaves, reeds or banana fibre. We don’t know its origins but it is still a testimony to the weaver’s skill. I have placed the figure with some bird’s nests from our garden, examples of the first woven baskets.
Basket weaving techniques can be used for all kind of objects like this woven football that is used in the kickball game of Sepak Takraw, in Malaysia and Thailand. We have three in the studio and they are beautiful, sculptural objects.
Textures of baskets can influence and inspire tapestry weaving. Here is one of my samplers with areas of raffia and natural string fibres that show this influence.
Baskets and objects woven using similar techniques show the diversity of the weaver’s craft in different cultures and make an interesting collection. It is wonderful to see that there are still craftspeople rediscovering ancient methods and using them in a sustainable manner. Whether they are old or beautiful, all baskets are great to use.
This song and video of Buffy Sainte Marie’s Changing Woman weaves magic. (You Tube took down the wonderful psychedelic video I had before but here is the song).
When you are doing something creative have you noticed sometimes there is a point where everything can suddenly go wrong if you don’t immediately adjust to the situation? I guess this is also echoed in our way of life. In many areas we have reached the tipping point for our planet. This is a good reason for artists to use recycled materials.
I read on a local news site yesterday that China is no longer accepting waste materials from Australia for recycling (link to article). This means all the plastic and paper that was to be sold to China will go into landfill if it cannot be recycled here. Councils are now asking ratepayers to cut down on the amount of waste for their recycling bins. This is the result of sending our problems overseas and not finding a creative solution for recycling large quantities of paper and plastic in our own country. If we are to prevent turning our environment into a tip and being swallowed by mountains of rubbish, it will take a change of mindset for our society, which won’t be easy. At the very least, as artists, we can recycle materials in our work.
Many local artists and designers have already been using recycled items to create works of art and are trying to make a difference no matter how small. It is also good for the soul to turn rubbish and junk into something beautiful, as well as unique. Here is a link to an exhibition Turning Trash to Treasure held at the South Melbourne Market in September 2017.
Reusing old materials is a source of inspiration and often requires a lot of rethinking when you run into difficulties. Ellie and I have been learning to make paper from old cotton rags and clothing for use in artwork. We have been having problems with making a very fine pulp, as mentioned in recent posts. This requires breaking down the cut-up rags in the washing machine and repeated processing in the blender.
It is quite time-consuming so we decided to mix this with a pulp made from shredded computer documents and other paper of a reasonable quality. We found out that if you add calcium carbonate powder, also known as whiting or chalk, this will make an acid free pulp (here are the instructions: How to make Acid Free Paper). We bought some from our local art supply shop as it is used in printmaking. We have also decided to size the paper with a clear artist’s gesso after drying rather than adding starch to the pulp.
Papermaking is a really good way to use up old paper rather than putting this in the recycling bin. Last weekend we started making paper with paper pulp on its own to get a feel for the process. This was totally different from the cotton pulp. The first day that we tried this the pulp was a bit lumpy and so some of the sheets were a little thick. When dried this it looked like the recycled molded cardboard used to separate wine bottles in the carton, which was not what we were going for.
We had also obtained a smaller A5 mold and deckle to make cards, which was easy to use and required less pulp. As the lumps disappeared from the pulp mix the paper became thinner and smoother.
When we began doing this outside under some sun umbrellas it was quite warm. Just as we were starting to get the hang of the process the sky darkened and there was the sound of distant thunder. With the storm getting closer it was quite hard to concentrate. Not wanting to be stuck outside with lightning imminent we hurriedly packed up and put the paper in the press under the car port then dried it flat inside. After drying the paper was pressed under a pile of heavy books because it had curled a bit.
The next day it was even hotter and we decided to continue the process under the car port just in case the weather changed. The pulp had softened even more and was a better texture. Because it was thinner we had to be careful when getting it off the deckle. The cleaning cloths that we use for separating the paper sheets need to be really wet or the paper won’t come off the deckle. The hot weather didn’t help and we had a lot of disasters before getting this right. If you sponge the back of this once it is upside down on the cloth the paper comes off more easily.
We noticed that there was a variation in thickness of the paper but it was better than the day before. If the pulp mixture became too thin the paper was more likely to fall apart when transferring it to the cloth so it was necessary to add more pulp when this was starting to happen. You had to watch out for this tipping point to avoid failure.
When we had finished we pressed the sheets between our plywood boards with bricks on top and dried them by pegging the backing cloths on a drying rack. This worked better than trying to dry them flat on a surface. Some sheets are better than others but we can experiment with the sizing on some or use them for collage so nothing is wasted and we can always re-pulp sheets that are too horrible.
Next we are going to try some shredded magazines together with recycled computer paper to see if we can make some interesting decorative paper. After we have reprocessed some of the colored fabric we can include a small quantity of this fibre in the mix.
Individually we might only be using a relatively small amount of recycled material but it’s better than doing nothing. It’s a pity that more local manufacturers are not doing their own recycling of plastics and paper for their products. So much has been done overseas and now that this is no longer sustainable we will all have to be aware of the amount we consume and how to cut this down. This will not be easy so the more people who can come up with creative ways to reuse recyclables, as in artwork, hopefully we can avoid the tipping point.
There are quite a lot of songs with “Paper” in the title. I love this one from the sixties, Paper Tiger, performed by Sue Thompson. It’s a live version but she is miming and obviously enjoying herself.
When you teach yourself something new it does not always go to plan. While you might be trained in a related field this does not mean that you will be able to do a new technique well at the beginning. Often you learn things by trial and error. There are bound to be technical difficulties from a lack of knowledge and not having the best equipment for the job, so you spend a lot of time trying to overcome these issues as best you can. It can be a big learning curve.
As I have said in the last two posts, Ellie and I are teaching our selves how to make rag paper. This all sounded very straightforward in “how to do” articles on the net. So we jumped in, bought the basic equipment, prepared the materials and started to make paper outside under the car port. That’s when we discovered this was not as easy as it looked.
Firstly we had not made enough pulp to completely fill the tub to make a lot of sheets. The pulp in two colours that we had made in the blender was too coarse and the process was closer to felting wool than paper making, which I have done before. You could plug up any holes in sheets with bits of pulp before taking them off the mold just like you can when making felt. We did not panic when things went wrong but had a good laugh about our shortcomings. The results were quite decorative and can be used in collage but they are not suitable for writing or drawing upon. We had to go back to the drawing board and work out how to make finer paper.
That’s when we discovered that professional hand-made paper makers use a machine called a Hollander Beater (great name) and the smallest models are AU$2,000 plus, which is way above our budget. As we want the paper for our own use and do not want go into major production this would be an expensive investment. This was all a bit disheartening but barriers always make me more determined to find a solution. First we thought of using cotton linter (cotton waste from the ginning process) rather than rags, but could not find an Australian supplier for small quantities and it is just too expensive to buy from overseas if shipped here at all (crafters in the US are spoilt for choice). You could use cotton balls but that is hardly recycling and you would need an awful lot.
Ellie went back onto the net and did a lot of research and came across a suggestion from someone who had the same dilemma (click on this link). If you do not have a Hollander beater use a washing machine to break down the cut up rags, as well as a clothes dryer if you own one. The one-inch square rag pieces are placed in fine mesh lingerie bags and the machine set to a heavy-duty hot water wash cycle with some sodium bicarbonate. Pretty much the opposite of what you should do if you want to preserve your clothes. You would not need to boil up the rag pieces if you put them in the washing machine.
We tried this out and the cloth became much more fibrous, and was easier to pulp in the blender. You need to do small quantities at a time or risk burning out the motor. We have quite a powerful one and need to wear ear protectors or risk going deaf from the high sound levels. Any lumpy bits of pulp can be cut up and put back into the blender to break them down. We have decided to process a lot of rag material then go back to making the paper. The pulp can be dried for storage and the warm water added when you begin the paper making. We hope that we have better luck with the next batch.
The downside of all this is that it is quite time-consuming. It would be much easier to make paper from shredded computer documents, but this is not acid free or archival. I think I will concentrate on making decorative cotton paper first until I get the hang of it. You can also press the paper dry with an iron to make it smoother or put the newly made paper between smooth cloths or felt before it is pressed. We used Chux cleaning cloths, which give the paper texture.
Sometimes in the initial stages of learning a new skill you are unaware of the pit falls. In some ways this is just as well because you might not try something new if you think it is going to be too hard and the challenge to find solutions is good for your creativity. And if you don’t have all the right equipment there is usually an alternative. It might not produce perfect results but it could also lead to some very creative work that makes the most of imperfection.
Ellie and I will see where this leads. Whatever the results of our rag papermaking we will be able to use it in our artwork to trigger our imaginations. Experimentation does make life and art more interesting.
For those of you wondering what on earth is a Hollander Beater, here is a very short video of a paper maker demonstrating this machine and the pulp it produces.
Isn’t it funny how we put up with things that annoy us for ages before doing something about it? It can be an object that you use everyday, a process with an aggravating glitch or just something that keeps getting in your way. Often these are just irritations but sometimes an inefficient item can even damage your health. Whatever the level of frustration anything that continually bugs you is energy sucker and rather that put up with it you’ll have less stress if you use your creativity to eliminate the problem.
Minor irritations usually just require a bit of creative thinking to make them disappear. Before we had our kitchen renovations, we had nowhere to put our trays. Many were too wide to fit in a cupboard so these were stuck against the wall at the end of a bench and would fall over all the time and send something else flying. Drove us crazy. When we bought some metal shelves to hold a small dishwasher and the microwave there was room for the trays but no way to stop them from falling over.
Ellie and I went looking for a solution and found an old wooden Bookmaker’s Stand in a vintage shop. Bookmakers would stand on this small wooden platform at country race meetings and the punters would place their bets. Fortunes must have been made and lost on this stand. There were spaces between the slats and when you put down one of the folding legs, it became an angled rack for our trays. Problem solved and it had a great story as well.
A tool or a piece of equipment or a process that causes physical pain definitely needs to be changed. I have been cutting up lots of old clothes for rag paper-making, which is a great way to recycle and eliminate more clutter, but have found that I don’t have the right scissors for the job. I have sharpened and tried the various ones we have in the house but they all cause hand and wrist strain from repeated use. As I don’t want to get RSI in my right hand I have looked online for ergonomic scissors and there are several options, although some are quite expensive. I will probably go for the medium price range. Looks like it will be money well spent because RSI is worse.
In the meantime changing the working method has helped. Ripping the fabric into long strips, rather that cutting reduces the use of scissors and I only have to cut the strips into small pieces. Rethinking a process is a good way to solve a problem.
Quick fixes are often all that is needed when something is bugging you. I always have duct tape, Blu-tack, wire, bulldog clips, pegs and metal hooks handy when a temporary solution is all that is required. These can be used in all kinds of situations to hold or hang items around the house and garden or for use in creative work. As well as the usual types of tools, jeweler’s pliers are invaluable for fixing fiddly things, like jewelry or bending fine wire. Of course there are times when you need to consult an expert. If a problem involves electrical or plumbing repairs DIY is probably not the safest way to go. A bad situation could escalate into an awful scene from a sitcom.
When you don’t have a lot of space for your creative work anything that gets in the way becomes an annoyance. At the moment we have a folding clothes rack in the studio for drying towels and sheets inside during the winter as we don’t have room for a clothes dryer. This has been bugging me because it takes up a lot of space. As it is summer I have folded it up and it feels much more roomy. I don’t want to put it up again in this spot so I need to find a solution to this problem. I’m still mulling about it but I’m sure an idea will come to me. Some resolutions take longer than others.
The thing is there are always solutions to problems if you put your mind to it. Irritations can inspire original ideas and are a great incentive for all types of creativity and you’ll feel a lot better when you make them go away.
In the spirit of fixing stuff here’s the wonderful David Byrne with Broken Things.
Often at the end of the year you can feel a bit jaded after the craziness of the silly season and need of a break. It is good to use the holiday period to refresh yourself so that you can begin the New Year feeling inspired again. That creative fire needs to be rekindled.
We are lucky in Australia that our New Year holidays occur in summertime and can get outside in the fresh air and enjoy nature. It is a time to try to unwind, read some good books, do some easy exercises and enjoy great food. Once you are sufficiently chilled out it is easier to let the juices start flowing again and come up with plans and ideas for future projects.
Over the break Ellie and I have been doing just that, clearing our heads and discussing creative ideas. As we have a lot of old cotton clothing that is only suitable for rags we decided to have a go at rag paper making so that we have some interesting paper for art and craft projects. Paper can be really expensive, especially acid free and interesting textured paper. It is also a good way to recycle old cotton and linen.
You don’t require lots of equipment for making paper and can do this in the laundry or any wet area with a sink and bench. You just need a deckle (wire screen) and a larger mold (frame) to fit tightly around this. You could make these yourselves (click here for “how to” instructions) or find an inexpensive kit online. We have gone with the latter option and are waiting on delivery.
An old blender will turn small pieces of rag into pulp. Also you would need a large plastic basin in which to mix the rag pulp then dip the deckle to capture the fibres, which form the paper sheets. Pieces of plywood are good to use as a paper press either weighted down by heavy books or feet and any flat surface can be used to dry the sheets. Here is a good website which shows the basics of papermaking with all kinds of suggestions for equipment and materials (click here).
I can’t wait for the kit to arrive and to start experimenting will different textures and types of pulp. Then there is the creative joy of using the finished paper in an art project. I hope to share the process in this blog when we have something to show.
We had a lovely New Year’s Eve out in the garden. Because it was a cool night and everything was green from recent rain we lit a fire in the metal fire pit, as well as some candles. The dogs were fascinated by the sparklers and barked and tried to bite these as soon as you stuck them in the ground. It was a very noisy process. They did not seem phased by the large booms coming from the city fireworks because they were with us. I took some photos of their antics. Some of them were in focus!
I hope you are also fired up to do more creative projects in 2018 and feel reinvigorated from the holiday season.
Here’s the wonderful Pointer Sisters doing Fire
This post began with a hole in the wall but more on that later.
New Year is rapidly approaching. At this time of year I love to light candles, which can symbolize, peace, hope and wishes for a new beginning, as well as remembrance of what has gone before. Candles also give a relaxing atmosphere to the home, especially if they are scented and can also repel mosquitos outside (citronella and lemon grass). Having candles on your table will make even the most basic meal feel special.
Candles are beautiful decorations for any celebrations. With the lighting of candles also comes the responsibility of avoiding any type of fire. Outside when it windy or there is a day of Total Fire ban, it is wise to put candles in an enclosed container, like a tulip shaped holder or a lantern. This is much safer than lighting fires outside in the summer.
Inside you must be especially careful with naked flames. I like to put candles or incense in our fireplace for safety and any smoke will go up the chimney and not set off the smoke alarms. I can leave these without worrying that the house will burn down. If you have a fireplace candles look great in summer.
In our front living room there used to be an old gas fire that became dangerous so we had it removed. There was now a shallow hole in the double brick wall. We wanted to fill this with a simulated log gas fire but could not find one small enough to fit the space. We were left with a wooden mantelpiece with marble surrounds and a hole in the wall. A decorative screen has been hiding this for several years.
The creative mind can work in funny ways. On Christmas Eve I suddenly had a bright idea about how to turn the hole into a feature. It is so simple I could kick myself and wondered why I had not thought of this a long time ago. I selected a couple of used bricks left over from our renovations, as well as a very old decorative cast iron vent that came from some relative and placed these in the bottom of the opening. With the addition of several pillar candles we now had a niche that creates the effect of a fireplace without the heat. This is great for summer and will also look welcoming in the winter. I put some old shells (collected by an ancestor in the 19th century ) onto the hearth as a reminder of the sea.
There is a gap in the double brick wall at the top of the hole that acts like a chimney for the candle smoke so that this will not build up in the room. As the whole niche is made up of bricks with a marble surround, everything is flame proof. Pillar candles can build up a lot of heat so this is important. You should never put candles in an enclosed flammable space.
It would be quite easy to make a faux fireplace from scratch. I’ve seen examples on Google image search that can be as simple as a brick ledge against a wall with a wooden beam placed high above to act as a mantle. Old reclaimed mantelpieces can also be placed against a wall with a fireproof ledge in the opening to hold candles. Just make sure that any wooden features are far enough away from the flames so that the mantelpiece won’t catch fire. To limit smoke use slow burning natural candles like soy or beeswax.
If you have nowhere inside to safely light candles, outdoors you could create a niche against a stone or brick wall, turn a large rectangular concrete planter on its side or end, or put candles inside a chiminea. There are so many creative ways to make safe candle holders.
Turning that useless hole into something fun has raised my spirits. It is good to solve an annoying problem before the New Year. Ellie and I will be lighting our candles in the niche, as well as in the fireplace, to farewell the old and welcome in the New Year. We wish everyone a bright and very happy 2018.
Kat and Ellie
Looking through a long list of songs about candles on Google, the number one song and probably one of the most uplifting is Melanie Safka’s Lay Down from Candles in the Rain, that she wrote about the Woodstock music festival in 1969. As it is the summer season of music festivals in Australia, here is a live version she performed on Dutch TV in 1970 with the Edwin Hawkins Singers, where she also tells the story of the song.
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